The Basic Principles Of Charlie Chaplin's "The Circus" (1928)

They are frequently yearning romantics, with this particular distinction: Buster appears a plausible mate, and the Tramp barely seems to possess a libido, only idealized notions. If their comedies were created in a far more liberated time, it is achievable to imagine Keaton in bed with a girl, but disquieting to think about the Tramp as a sexual st

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